In order to narrow the field and help buyers make meaningful product comparisons, this guide concentrates on the core orchestral instrumentation of strings, brass, woodwinds and percussion and excludes choirs, pianos, saxophones, jazz and big‑band brass, pop horns, phrase libraries and loop collections. Today’s orchestral sample users may be spoiled for choice, but the sheer quantity of libraries on offer makes it increasingly difficult to choose. ![]() The advent of disk streaming prompted developers to sample every orchestral instrument, ensemble and performance style under the sun, sparking a proliferation of products which shows no sign of abating. If the bad old days of miserly RAM had one advantage, it was that buyers weren’t faced with an overwhelming number of libraries to spend their money on. With RAM now served up in gigabyte portions, users can run huge orchestral libraries on their home computer, giving musicians with no academic training access to high‑quality symphonic sounds. Now that hardware samplers have gone the way of the dinosaur, the London Necropolis Railway and Macclesfield Town Football Club, we can all look back and laugh at the logistical nightmares of trying to cram a sampled orchestra into 32MB of RAM. ![]() Sound On Sound's Buyer’s Guide aims to help you find a way through the maze. Looking for more free stuff? We give away lots of free Ableton templates, MIDI files, presets & racks.With hundreds of products crowding the marketplace, choosing an orchestral library can be a daunting experience. I’m regularly going to show up with music and content at PML. I’m k-pizza, a music maker who likes to share his experiences with other producers. Plus: Great list of libraries by Bigcat Instruments
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